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Le nozze di Figaro an der Oper Frankfurt © Bernd Lammer

Took over the role of SUSANNA in ‘Le nozze di Figaro‘

21. December 2024

Anastasiya took over the role of SUSANNA in ‘Le nozze di Figaro’ at Oper Frankfurt on 21 December 2024.

Die Fledermaus © Felix Grünschloß

Role debut as ADELE in ‘Die Fledermaus’

12. December 2024

Anastasiya Taratorkina will make her role debut on 12 December 2024 as ADELE in ‘Die Fledermaus’ at the Badisches Staatstheater Karlsruhe.

Der Rosen­kavalier © De-Da Productions

Anastasiya Taratorkina makes her house debut in the role of Sophie in ‘Der Rosenkavalier’

19. November 2024

In 2025, Anastasiya makes her house debut as SOPHIE in Der Rosenkavalier by R. Strauss at the Aalto-Musiktheater Essen.

Photo: De-Da Productions

Marzelline im Fidelio © Lena Obst

Anastasiya Taratorkina in the role of Marzelline in ‘Fidelio’

9. November 2024

Anastasiya Taratorkina takes over the role of Marzelline in ‘Fidelio’ at the Staatstheater Wiesbaden on 9 November 2024.

Anastasiya Taratorkina was invited to the 6th International Éva Marton Singing Competition of the Liszt Academy

16. June 2024

Anastasiya Taratorkina was invited to the 6th International Éva Marton Singing Competition of the Liszt Academy in Budapest. From 1-8 September, 84 singers from 24 countries will compete live against each other.
martoncompetition.hu/news/84-competitors-are-expected-to-budapest-for-the-live-rounds-126100

Anastasiya Taratorkina takes over the role of Woglinde in “Das Rheingold” at the Basel Theatre on 8.06.24

8. June 2024

Anastasiya will take on the role of Woglinde in Richard Wagner’s “Das Rheingold” at Theater Basel on 8 June 2024. Under the musical direction of Jonathan Nott and staged by Benedikt von Peter, she will make her debut at the theatre this evening.
theater-basel.ch/de/dasrheingold

Valencienne

Anastasiya Taratorkina as Valencienne on the stage of Zurich Opera House in 2025

3. June 2024

In 2025, Anastasiya Taratorkina will return to Zurich Opera House, where she will appear as Valencienne in the revival of the operetta “The Merry Widow” in a production by Barrie Kosky.
opernhaus.ch/spielplan/kalendarium/die-lustige-witwe/2023-2024/

Anastasiya Taratorkina will be a member of the ensemble at the Badisches Staatstheater Karlsruhe from the new 2024/25 season

3. June 2024

From the new 2024/25 season, Anastasiya will be a member of the ensemble at the Badisches Staatstheater Karlsruhe, where she will make her debut in the roles of Adele and Œnone:

The bat

Comic operetta by Johann Strauss
Libretto by Richard Genée
(Anastasiya Taratorkina as Adele)
Premiere: Saturday, 7 December 2024

Phèdre

Tragédie lyrique by Jean-Baptiste Lemoyne
Libretto by François-Benoît Hoffman
In French language
(Anastasiya Taratorkina as Œnone)
Premiere: Saturday, 25 January 2025

Hansel and Gretel

Fairytale play by Engelbert Humperdinck Libretto by Adelheid Wette
(Anastasiya Taratorkina as Gretel)
Resumption: 23 November 2024

Anastasiya Taratorkina: “I try to fill every note with love”

25. October 2021

In our series “How Dresden sounds”, young musicians talk about what Dresden means to their music.

Heute im Gespräch: die Sopranistin Anastasiya Taratorkina. When the young soprano Anastasiya Taratorkina is on stage, she has a very special sparkle in her eyes. Listening to her soulful and powerful vocals, it’s almost as if the Dresden resident is on a mission: to give you goose bumps. Most recently, she did so with great success at the 70th ARD Music Competition, one of the most prestigious international competitions for classical music, where she was awarded first prize for her musical performance. In this interview, she tells us which places in Dresden inspire her music and reveals her plans for the future.

 


Anastasiya, congratulations, you have just won the ARD Music Prize. What an achievement! Among other things, the jury praised the lightness and beauty of your vocal tones. What is important to you when you make music?


It’s not easy to put it into words, but: I try to fill every note and love, and to convey all the feelings I have inside me, no two characters are the same, every emotion is different, in every aria and in every song there is something special that I want to share with the audience. Of course, you also have to concentrate on your technique when singing, but that shouldn’t be visible to the audience. For me, it’s very important to show and let every viewer hear all the emotions and moods that a role experiences.

 


How should your musical journey continue?


An eventful academic year awaits me, at the end of which there will be a Master’s graduation concert. I’m really looking forward to that! I also sing concerts at and outside the university during the semester, including the concert of the Deutschlandstipendium scholarship holders, a GALA concert of our opera class, Bernstein’s “Mass” in the Frauenkirche, where I have wanted to sing ever since I was there for the first time! In December I am Juliette in “Die Tote Stadt by Korngold” at the Semperoper Dresden. Also planned are a tour with all ARD competition winners – including at the Mozartfest Würzburg and in Studio 2 of the Bavarian Radio – a concert with the Collegium Musicum Basel, a solo recital with arias and songs at the festival of the Sociedad Filarmónica de Vilagarcia and the Kuchtik in Dvořák’s Rusalka with the NDR Orchestra under Alan Gilbert in the Elbphilharmonie as part of the Hamburg Music Festival. After my studies I will take up a permanent engagement at a great theatre with many great roles. For the future, I hope to get nice roles at many beautiful theatres and festivals and to work there with renowned directors and conductors in order to constantly develop artistically. I would also like to sing concerts with such fantastic orchestras as the Bavarian Radio Symphony Orchestra and the Bavarian Radio Orchestra, which accompanied me so excellently at the ARD competition that I was able to concentrate completely on my singing. In short: I simply want to enjoy this great job to the full and for many, many years to come.

 


What actually drew you from Novosibirsk to Dresden?


After studying at the conservatory in Novosibirsk, I first lived in Germersheim, where many of my relatives live and where I also attended a German course. Then I went to Dresden because I wanted to study singing here. I’d never been to Dresden before, but I fell in love with the city when I saw photos on the internet. I like the peace and quiet and the “spirit” – I feel completely at home here!

 


Why is Dresden a good place for musicians and artists?


Dresden has a multifaceted musical life. There is a great university for music and many great cultural institutions here: Semperoper, Frauenkirche, Philharmonie, Staatsoperette, Kulturpalast and many, many choirs and ensembles with which you can make music. Here, every musician or artist can find an interesting project for themselves and develop their own style. Dresden offers a lot to introduce young people to classical music and theatre.

 


Which places and neighbourhoods in Dresden have influenced you the most?


My first port of call was the conservatory where I took my entrance exams. I was amazed at the beauty of both the old and the new university building. I was also very impressed by the Semper Opera House and Zwinger Square, because we don’t have places like that in Novosibirsk. And of the Frauenkirche. I enjoy the atmosphere and tranquillity of the Frauenkirche so much that I could spend hours there. My absolute dream was to sing in the Frauenkirche one day, and I’m delighted that this dream will come true in March 2022. That’s really cool!

Nina Sabo, series: “This is how Dresden sounds” in Dresden Magazin, 25 October 2021

The city’s most beautiful voice: Award-winning student Anastasiya is in love with Dresden

6. October 2021

Dresden – She came, sang and won. Singing student Anastasiya Taratorkina (27) from Dresden won first place in her first major European music competition! The Russian-born singer won the 70th International ARD Music Competition in Munich in September, beating off competition from 368 other contestants.

The beautiful soprano has been studying for a master’s degree in “Opera Singing” in Professor Hendrikje Wangemann’s class at the Dresden University of Music for a year.

“I first attended a music school in my home town of Novosibirsk and then the Glinka Conservatory for five years,” says Anastasiya.

She inherited her love of music from her grandmother, who gives piano lessons near Mannheim.

Dresden is Anastasiya’s great love: “I really wanted to study here, even though I’d never been to Dresden before. But I looked at photos on the internet – and fell in love with the city.”

Thanks to a Germany Scholarship from Baywobau Dresden, her dream came true. She managed the “rest” under her own steam.

“Because singing competitions are important for your career, I applied for the ARD competition,” laughs Anastasiya. “Even if September is an inconvenient time, because I can’t practise during the summer holidays like I can at university.”

Die zierliche junge Frau überzeugte trotzdem die Jury mit ihrer Stimme. “Immediately after the competition, I received offers and invitations to audition for various theatres,” says the soprano happily.

She can’t say which stage she will be on in two years’ time. However, she is certain: “I’m not going back to Russia, just for concerts.”

Katrin Koch, Tag24, 6 October 2021

Older News »

Latest News

  • Took over the role of SUSANNA in ‘Le nozze di Figaro‘
  • Role debut as ADELE in ‘Die Fledermaus’
  • Anastasiya Taratorkina makes her house debut in the role of Sophie in ‘Der Rosenkavalier’
  • Anastasiya Taratorkina in the role of Marzelline in ‘Fidelio’
  • Anastasiya Taratorkina was invited to the 6th International Éva Marton Singing Competition of the Liszt Academy

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